Guest post by Melanie Stringer
Sent Home from School has always been a stand-out chapter for me. Even when reading it as a child and teenager, I found it a noticeable departure from the usual depiction of Laura’s harmonious obedience and diligent effort in every task or obligation. It was almost difficult to imagine this was the same Laura Ingalls, and were it not for the re-introduction of the antagonist Nellie Oleson, bolstered by a new and more influential partner-in-crime in the character of Eliza Jane Wilder, it would have been hard, back then, to believe Laura was capable of openly participating in this kind of conflict and rebellion. Reading it as an adult, the conflict speaks volumes to the intertwined relationships of Laura, Eliza Jane, Carrie, and even Rose.
Interesting because it represents the initial conflict between a pre-courtship Laura and “Teacher” Miss Wilder, who one day will be sisters-in-law “Bessie” and “EJ,” this chapter is rife with implications about power, subordination, obedience, leadership, justice, loyalty, and even a bit of the evils of gossip. In many ways, this episode seems to reflect more of Laura and EJ’s distaste for each other as fully mature adults, which prompts me to wonder how much of this scene is literal—that is, a reasonably accurate account of particular incidents—and how much of it is actually a metaphorical device for Laura “Mama Bess” vs. Eliza Jane “Aunt EJ” regarding Rose? Throughout the chapter, indeed, in much of the book, Laura is in protective, Mother-Hen mode regarding a “still pale and spindly, and always tired” Carrie. Laura’s sense of justice, and her concern for Carrie’s health, put her in a defensive position which quickly escalates to full-scale rebellion. Miss Wilder’s child-like insistence on being the students’ “friend” is contrasted sharply with her sudden switch to provocative, inequitable punishment for selected students—namely by singling out the vulnerable Carrie. Is it too far “out there” to think of Carrie as a metaphorical and literary stand-in for Rose? Mama Bess was notoriously protective of her only child, but perhaps she felt she had solid reasons for it. She may have perceived numerous threats to this daughter who (aside, of course, from Manly) was one of the few constants in a life riddled with loss and uncertainty. Defending one’s family in the face of all adversity is hardly unusual, and the value of family loyalty is undeniably a constant throughout Wilder’s work, so it seems at least plausible to put a little psychological twist to this otherwise straightforward episode of Sent Home From School.
That being said, it is hard to imagine that a fictionalized Miss Wilder could be unaware that Laura would rise in defense of her sister. Rather, as the story is presented, it is assumed that Miss Wilder singles out Carrie particularly because she wishes to provoke Laura. This behavior creates a power struggle which she seems determined to win—or perhaps simply does not know how to de-escalate. The power struggle is a classic and almost inevitable problem in every position of authority, from teachers or parents to employers and even heads of state. Just about every person who assumes a leadership role will be faced with a conflict—sometimes an inadvertent creation of the leader’s own making—that is largely a power struggle between subordinate and authority. When the pride of one or both parties is left unchecked, the situation can escalate almost to the point of chaos. This what comes about on the second day of open conflict in class, when Carrie and Mamie are once again “causing trouble” and Laura decides to intervene.
The chapter sets Laura and Eliza Jane against each other in an adversarial relationship, ignited by the initial conflict over Miss Wilder’s unjust punishment of Carrie. We have already seen that Laura has a keen sense of justice. At the Fourth of July races she is convinced Almanzo can’t win because he has a heavy wagon instead of a light buggy, and her reaction is straight to the point: “Oh! It isn’t fair!” Now, Laura’s sense of justice is deeply offended as Miss Wilder metes out unequal punishment to Carrie and Mamie for their failure to learn their spelling words. When Carrie, dutifully performing her punishment of writing the misspelled words fifty times each on the blackboard, starts to look sickly and faint, Laura insists she must be relieved. A startled Miss Wilder allows Carrie to sit, but takes the interruption as an affront to her authority and directs Laura to continue the punishment in Carrie’s stead. Laura’s protective instinct in defense of Carrie is strong, and, though mortified, she remains compliant.
Although “it was a disgrace to her,” and “she felt her face grow flaming hot,” Laura feels some comfort when she quickly realizes “no one was jeering at her.” When one of the boys, Charley, tries to get her to protest and says, “we’ll all stand by you!” she is “warmed all through” but refuses to add to the disruption. After school, Charley, Clarence and Alfred seem determined to “fix that old meanie tomorrow,” but Laura begs them not to stir up any more trouble. She even shames them for the suggestion: “That is no way for you boys to treat a woman, even if you don’t like her. I do wish you wouldn’t.” Her sense of propriety, coupled with her fear of trouble in school and the possible loss of education, all demand that she do what she can to keep the peace.
The next day, Laura and Carrie return to school early, and before they can even take their seats, Miss Wilder seems ready to challenge Laura once again. Upon snagging her skirt on the coal hod, Laura makes a mild exclamation, to which Miss Wilder taunts: “Why don’t you get us a new coal hod, since your father is on the school board and you can have everything as you want it?” In disbelief, Laura protests the accusation and points out Miss Wilder likely could have a new one if she wanted. Miss Wilder’s snarky “Oh, thank you,” has her puzzled, but she does not pursue the issue. Laura does, however, notice Nellie’s silent reaction, which seems to confirm that Nellie is behind Miss Wilder’s negative impression of Laura. Interestingly, even to this point, Laura is intent on behaving, and sympathizes with Miss Wilder: although the boys keep their promise to Laura, “they did not know their lessons, for they would not study, and Miss Wilder was so harassed that Laura pitied her.”
The pitying would be short-lived. After the nooning, what starts out as a minor distraction quickly escalates. Carrie and Mamie are studying the speller, both silently rocking back and forth on their bench. Miss Wilder strangely chooses this distraction above those which are causing any actual noise as an object lesson to the entire class. She demands Carrie and Mamie put away their books and “just rock that seat!” Miss Wilder’s manner of address is volatile and inexplicably mutable as she then decrees, “sweetly,” to the entire class, “Hereafter anyone who disturbs us may continue the disturbance until he or she is thoroughly tired of making it.” Laura sees Carrie’s shock and shame, but does not protest—yet.
The power struggle is impending; it will now become the focus of the chapter. The worst of the tension, dread, and conflict is about to come, and the reader is keenly aware that the scene is far from over. The sense of dread in this chapter is overwhelming, and this is one of those moments where Laura the author’s talent is about to leap off the page. The tension hangs in the air and is almost tangible. The conflict is about to reach an emotional crescendo. Laura is still trying to be the diligent, obedient scholar, when she is distracted by Mamie’s own rebellion as the little girl: “gave a little toss of her head and boldly moved across the aisle into another seat.” Try as she might, Carrie cannot continue rocking without Mamie, and once again Miss Wilder inexplicably excuses Mamie’s action while insisting (again, “sweetly”—how nauseating that must have sounded to Laura!) Carrie continue the punishment alone.
The self-control which Carrie and Laura exhibit here is downright flabbergasting. Laura “bit her lip hard, and sat still.” She is furious, but still has faith that Teacher will excuse Carrie. Carrie puts forth all her effort, but cannot continue. Then the proverbial straw breaks Laura’s back when Miss Wilder says, “Faster, Carrie! Faster!…You wanted to rock the seat. Now do it.”
The battle royale, the kind of power struggle of which legends are born, has commenced! Laura can no longer sit idly by; she cannot allow ANYONE to torment Carrie this way. The scholar who was so intent upon keeping the peace—who felt she must respect the authority of anyone employed by the school board, who wanted to respect anyone who so clearly knew the material and had earned a certificate even if that teacher did have an unconventional or “silly” approach to discipline—was no longer puzzled by the Teacher’s snide remarks and unjust methods. Rather, she was infuriated! Laura’s sense of justice was no longer the only emotion offended by Miss Wilder. This was an out-and-out attack on a beloved little sister, a frail, sickly, timid little sister who never did any harm to anyone! This, to paraphrase Jane Austen, Could Not, WOULD NOT, be borne! Laura’s protective nature kicks into high gear, and the squawking Mother Hen inside the young girl rages forth, with all the fury of anyone whose dearest loved one is threatened: “Miss Wilder, if you want that seat rocked faster, I’ll rock it for you!”
The “Thump, THUMP!” of Laura’s aggressive rocking makes a statement that escapes no one. “No one could study now…No one could recite, no one could even be heard.” The entire class is spellbound, and Miss Wilder is at a loss. Little did she think (though the reader may feel, “how could she NOT know this would happen??”) that young Laura Ingalls would really, truly, stand up to her. Laura, being so wrapped in her anger and indignation, must, at least momentarily, be oblivious to the consequences of her unprecedented behavior upon her relationship with the sister whom she is so valiantly trying to defend. I wonder, though, what exactly was Carrie thinking? I am inclined to believe this outburst must have terrified her. If we are to believe that at least the fictional Ingalls family is generally harmonious and loving, and rarely argues, would not this violent reaction be so unusual that it may indeed be the very first time Carrie has seen any member of her family so angry?
Laura, for her part, may have been stewing a long time. As a blossoming young woman, charged with being the “eyes” for Mary, a part-time breadwinner with aspirations to earning a teaching certificate, and having taken the place of Big Sister to the younger girls, this fourteen-year-old is under a lot of pressure. Add to that the usual challenges of being a teenager (drat those nasty restrictive corsets!!), and we have a recipe for rebellion. She feels her anger surge so strongly that “not even the swinging weight eased Laura’s fury.” Miss Wilder may simply have underestimated her adversary, and now the only recourse is to take out one of the last weapons in the arsenal: Send them home!
Everyone had heard of being sent home from school. No one there had seen it done before. It was a punishment worse than whipping with a whip. Only one punishment was more dreadful; that was to be expelled from school.
When Laura and Carrie are sent home, the walk is a moment of assessment and reflection before facing the ultimate Judge and Jury of Ma and Pa. Their reactions are not to be presumed nor predicted; surely they have good reason to be severely disappointed and to hand down punishment more disgraceful than any which Miss Wilder might invent. Taking all the blame for the incident, Laura reassures Carrie that the fault lies solely with herself for defending Carrie: “They won’t blame you, this isn’t your fault. It’s my fault because I rocked that seat so hard. I’m glad of it! I’d do it again!” And here, one of the wisest lines in all the series strikes the reader with its simple truth: “Carrie did not care whose fault it was. There is no comfort anywhere for anyone who dreads to go home.”
Finally the moment of truth arrives, and the almost benign reception the girls receive upon arriving home is not only unexpected, but actually justifies to some degree Laura’s behavior: “Is Carrie sick?” A ha! Justice! A shamed Carrie tries to take the blame, but Laura explains fully the events of the day as Ma and Pa patiently listen, and it is simply decided the girls will “go on as though none of this had happened.” But will such a thing be possible? The reader simply must turn the page to find out what happens next…
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Melanie Stringer is a New England-based historian who presents living history programs in the first person as author Laura Ingalls Wilder, as interpreted within the context of Wilder’s experiences during the period 1890-1895.
Her website is www.meetlauraingallswilder.com and she blogs at www.blogspot.meetlauraingallswilder.com
Comments13
This was one of my favorite chapters in the series, growing up. I have two younger sisters and I remember thinking that I would have done exactly what Laura did! I still feel the righteous indignation just reading the summary. 🙂
Oh the setup for the conflict between EJ and Laura; I always wondered how accurate this story is and if Laura “learned her lesson” by avoiding confrontation with EJ if at all possible.
I always think of EJ’s influence in THGY & FFY when they quickly get married to avoid confrontation (and a church wedding) with the Wilder family. It is interesting to note the longer explanation in the First Four Years–Laura was doing a little less self-censoring at that time, I think. And she never writes of the fall-out that happened when they told the Wilder side they were married, or maybe there wasn’t any fallout?
I think that Carrie might be a Rose stand-in here, too. Was Rose enamored with the way EJ lived her life and (lack of mother-hen instincts) thought of her as a “better” person, more progressive and less old-fashioned than Laura? Most of us would choose to tell a “cool” aunt our heart’s desires, but realize that mom is the one who will offer the best advice. Maybe this is a way for Laura to remind her daughter that she had stood up to her aunt EJ and she wasn’t as wonderful (and certainly not respectful to Laura or Pa) as Rose thought she was.
I’ve never thought of the Carrie/Rose metaphor before, but I can see it as you describe. I do wonder how Rose and EJ could be so close and yet Rose doesn’t try to soften the portrayal of her favorite aunt.
I’ve found it interesting that Charley threatens to make trouble, and Laura asks him not to do so. I think there’s a current to the story that any order that is being kept in the school is because the younger boys like Laura and will do as they say. In fact the students are following Laura rather than Teacher.
Lastly, am I the only one who wonders who Eliza Jane told this story to Royal and Almanzo? You would think if told from her point of view her brothers would want to stay away from the hellion not take her buggy riding…
I am more inclined to believe that the story happened in at least a similar manner to what is related than that it is made up, because Laura told the same story in her first manuscript of Pioneer Girl.
I also have often wondered what EJ ever told Almanzo – later we’ll see that he tells Laura “My sister often spoke of you,” and I’ve always wondered if he wasn’t first attracted to Laura because she stood up to EJ.
(Aside: That, and the fact that she wasn’t taller than he…seems that was more an affront to manhood back in the day than it is now. Then again, that could just be entirely coincidence and he might not have cared if she was 6 feet tall.)
Incidentally, reading some of Laura’s early works – and Pioneer Girl – helps with the believability of this chapter. She wrote a poem ending with “if you say one word against it, I will hit you in the mouth;” she said d*mn; and she skipped school to go ice skating! Laura in the books as published would never have done any of those things.
I’ve often wondered if this incident really happened. I do love that part of the book, and when I read it to my son it was a big hit. And I too wonder, if it was real, what effect did it have on her relationship with EJ. Never liked that EJ.
That was just fascinating. I never thought of the Rose/Carrie comparison, but, I have wondered what it was like for Laura to marry Almanzo after his sister had behaved so poorly. What does this say about the real Laura’s family dynamics?
As a young reader, as we supposed to connect that Miss Wilder is the same Eliza Jane of Farmer Boy who infuriated Almanzo, but, then saved him when she fixed up the wallpaper. Does Eliza Jane realize how wrong she was and wants to fix it later with a fancy wedding? Laura and Manly won’t have it so they elope?
Fascinating indeed!
This is fascinating stuff, Melanie, thanks! I’ve never really known quite what to make of this chapter. Of course, like us all, my blood boils at the infairness to Carrie, and I’m all yay, shake those bolts, to Laura; my reactions there aren’t in any doubt. It’s Miss Wilder I don’t get. I can’t reconcile this Miss Wilder with Eliza Jane from Farmer Boy, who was bossy-strong-minded, outspoken but capable of nice feelings, with Miss Wilder here who is presented as weak, incompetent and sly – which doesn’t seem to match up. I think the other thing which seems weird to me is that the sort of teacher she’s presented as, who would unfairly victimise a particular student, would surely pick on a weak student. That’s what bullies do, right? Ok, so Carrie is superficially weak here, but she has lion Laura on her side, and more importantly, her Pa is on the school board which hired Miss Wilder. Picking on your employer’s child doesn’t seem much of a career move – let alone Laura hoping to impress Miss Wilder so as to get a ride behind those horses, seems to me Miss Wilder, given she’s presented as the kind of character who would play favourites, would favour Laura and Carrie so as to protect her job.
Lovely write-up, Melanie. I had never thought about a Rose/Carrie connection, but it does make sense, doesn’t it? For those who are wondering about the Laura/EJ relationship, here’s some more discussion in case you missed it a couple years ago: http://beyondlittlehouse.com/2009/04/22/lazy-lousy-really/
I’m sorry but I don’t see any similarity between Carrie and Rose. Rose was a pistol, Carrie was a pale, sweet-scented handkerchief, easily folded.
Having been a young teacher and having watched scores over the last thirty years, this confrontation between Eliza and Laura is not in any way mysterious to me. Young teachers are often overwhelmed; they often CANNOT look away or let things go, allowing the skirmish to pass to win the war; and in consequence they often choose the wrong battles.
I too tend to think this was a reasonably accurate depiction of events.
I want to add that I do not believe at the age 55 (at the time of publication), Rose needed any help from Laura’s text to know the feelings of BOTH her parents about her very smart, enterprising, difficult Aunt Eliza.
I hope I am not being offensive by disagreeing. It is lovely to read other people being opinionated about these fascinating people! 🙂
Though, Eliza Jane was hardly a ‘young’ teacher. She would have been in her early 30’s by this time, far older than most teachers in that era. She had considerable experience too (having taught school in Malone and Spring Valley before moving to DeSmet.)
It does sound (from the description of events in the book) that she HAD let things get way out of hand, and then turned to the Ingalls girls as convenient scapegoats for her own poor decisionmaking.
I always wonder why Laura kept this chapter as it is – stressing how unpleasant and “wrong” Eliza is – and then commented herself in the next book on the parallels between her difficulties as a young teacher and EJ.
EJ faced much more difficulties than Laura, because her students were unruly on purpose (and older than Laura’s students).
It’s interesting that here EJ is clearly judged wrong, unable to cope, inappropriate for her position as a teacher and later Laura, who also feels out of place as a teacher first, is shown in quite a different light (and having second thought on her judgement of EJ earlier on).
There are several situations in LTOP where Laura judges other people who have the SAME motives or desires as herself as wrong, bad etc. (EJ, Nellie).
It might have been easier for EJ if Pa could have given her the same advice he gave Laura when she faced teaching difficulties.
Also the student’s mobbing must have been pretty hard on EJ (the song, the unruliness, being practically mobbed out of school and shown a failure in front of the whole town.
This was one of my favorite chapters when I first read LTOTP. Reading this for the first time, I was about the same age as Laura was, and I was going through some very rough waters at school, socially. I could COMPLETELY feel Laura’s rage, and mentally cheered for her! You go, Girl!
I agree with admilkmaid. Rose and Carrie are both different people. Also, I read that Laura knew that Rose would not be happy in life being a farmer’s wife, so she let her go.
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